Stratos and Leto are trapped in a whirlwind of events that follows the search for the heiress of a mysterious house. Trying to balance between events where danger lurks from dark forces of magic, they experience an atmosphere of mystery created by tragic deaths in strange accidents, closed mouths, and the physiognomy of a witch and her descendants. All of them, dramatic figures who know nothing of the game of fate against them. In all this climate, the search for romantic passion prevails, but above all the strong love that reaches self-denial and gives rise to dilemmas and unexpected reversals. The certainty emerges that magic is one of the veils of hell. You pick it up and disappear behind it. No one knows what is hidden there, not even you know what will happen to you and how you will repay your curiosity. Many times, the price is… death!
The Veils of Hell
100 in stock
Eleni Vezyroglou was born and raised in a place with pure light, in a city dripping with beauty and love, Thessaloniki.
She studied social work and wandered life paths that intersected many times with pain and loss. And so he found himself with a whole crop of stories and emotions, which had to talk about suffering persons, dead-end situations, and many other such "little things" that most people are surprised if you mention them as "precious harvest".
And he wanted to write what he saw, heard and felt.
And then came love, with its unrepeatable fullness and happiness, the one that binds tightly like a link of precious mother-of-pearl.
And he wanted to write about her too. And the literary magazines were there, to receive her "precious harvest". And E.L.V.E. (Union of Writers of Northern Greece), which embraced her as a member and opened the pages of its magazine to her.
And the years passed and when the losses of loved ones and the fierce pain knocked on her own door...
Then, you dare, "ALABASTRO AND FILDISI", her first poetry collection, sprung up on its own. In her words she captured sadness, loneliness, sang joy, love, whispered her nostalgia and screamed her pain. Those who write something like this are called "poets".
And then he wanted to tell a true story. For a woman who loves so much, who wants her lover to be happy by her side, "hers", but by his own choice. So she leaves him free to fly to another love that claims him. Only if he returns to her will he be "hers".
Thus was born her first novel, "THE VEILS OF HELL". Those who write such things are called "authors".
She herself says that she does not know if she is a poet or a writer, but what she knows well is that... she is a person who has many stories to tell.
1 review for The Veils of Hell
| Weight | 0.5 kg |
|---|---|
| Writer | |
| Writer | Eleni Vezyroglou |
| Pages | 526 |
| Size | 14x21 cm |
| Publisher | Standard Editions Source |
Anna Deligianni-Tsioulpa -
Eleni Vezyroglou in the novel "The Veils of Hell" attempts a different writing of a modern novel with an idiosyncratic complicated plot! Her narrative ability presents the events and the behavior of the heroes in such a way that they are indicative of the current everyday life, but are artfully hidden. From the beginning, the reader moves emotionally, thinks in order to discover the author's intentions and finds out how common people's desires are! The novel has quantitative and qualitative stimuli through an effortless speech that gives you time to think! It is not easy to write such a work since the structure and the writing presuppose a torturous problematic.
Eleni Vezyroglou dares to come into conflict with the fundamental laws of society, as she seeks the impossible, the paradox of things that others reject and others accept. For what can magic be but a dark source of corruption! But in a world with fragile, alienated values, with a lack of communication, where the human condition is degraded, what is it that will prohibit the person who usually desires the evil of others through the alleged pursuit of good, to proceed with the management of magical means!
So, the author is looking for new possibilities in other areas, perhaps unknown to the readers, which partly satisfy the egoism of man through the complicated process of their implementation!
Love blinds and the embodiment of paradox serves to make the reader stop and think about the "I" who holds a grudge! Because a person who lives loneliness negatively, with collapsed values, when he reaches a dead end, he thinks about evil.
The reader is not sure of what is going to happen next, he does not even guess what is going on as the author gives us the setting of "appearance" not "being"! It seeks to match the real with the imaginary by interweaving physical elements and human, psychic passions!
Bad weather conditions as an interweaving of natural elements and human mental passions, enhance the progress of the plot and the climax for the commission of evil. Mainly three people, the microcosm of a family and a friendly company that is not just friendly along the way, keep the interest of the reader undiminished, who meets with situations of hope, anxiety, fear of a reassuring or disappointing world and with ghosts that evoke the feeling of of paradox, of the supernatural Thus, Leto suffers from loneliness, from a feeling of betrayal and from regrets because she let a friendly relationship between Stratos-husband and Tessa, the heiress of an area that professionally interested Stratos, develop into passion.
Stratos does not break the stable framework of a bond, he is the victim of a secret unacknowledged as a love affair that concerns Tessa, who suffers from a strong emotional loneliness.
And when love is the absence of love, as long as the types are maintained, those involved suffer differently. Leto, due to workload, even becomes alienated from herself. Stratos supports heiress Tessa due to work until emotional impulses do their work! Eroticism as a solitary behavior that each word can invent the other, but ultimately it is a questionable behavior that leaves no traces behind. . Powerful images that reflect the imbalance of society, as nothing stays in its place anymore.
The reader is attracted by the plot and especially the suspense that leaves the interest undiminished until the end. E. Vezyroglou's writing style takes into account the unconscious, inciting fears and anxieties. The ending that the author gives does not close the book, on the contrary, it leaves it open, suitable for another ending that the reader can give. So, "The veils of hell" also include an attitude to life, which through another philosophical dimension, we can reduce or increase depending on what we experience daily and what psyche we have.